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    Never Miss an Announcement or Update!

    We’ve dusted off the old mailing list and are going to start using it as a power of good. Use the button below to sign up for our mailing list, you’ll get an announcement for every big gig we do and a summary of what’s coming up. In some cases you’ll be able to purchase tickets before they go on general sale and there’ll be the occasional time where you even get a secret link for cheaper tickets : ooh.

    We send out a mail most weeks, usually on a Monday evening containing new news and reminders.  If there is no news, we don’t bother you

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  • Tragedy : March 2017 Return

    Be afraid, be very afraid – assume the position, your fun overload for 2017 is confirmed!

    Tragedy – the band that was born out of the impenetrable divide of Disco and Metal are back!
    Hitting up Think Tank on March 1st, 2017, they provide the most fun you can have with, or without, your clothes on.

    If you’ve been under a rock and missed their amazingness – they were originally a heavy metal tribute to the Bee Gees but have grown into something much much more, a bigger beast and the ultimate disco-metal party band.

    They broke the internet with their cover of ‘You’re The One That I Want’ (see below) –  and are of course coming to break hearts and minds yet again.

    Tickets available online from www.seetickets.com and local record shops.



    “You’re the One That I Want” Heavy Metal Tribute to ‘Grease’ is as great as it sounds. They created a music video for the cover, and it is exactly what you’d think a heavy metal version of Grease would look like. Between the crazy outfits, wild hair, air guitars, and locker room parties, the only question left to ask is, why hasn’t this idea been adapted into a full length movie yet? We want more!”

    Metal Hammer
    “Camp as a row of tents, and with more hooks than hell’s cloakroom, Tragedy guarantee it.”

    Tiny Mix Tapes
    “Tragedy manage to dwell in the realm of novelty while far exceeding their worth as a concept…the aesthetic is somewhere in between the flamboyance of the disco-era Bee Gees and the flamboyance of mid-eighties hair metal, with some extra flamboyance thrown in for the sake of flamboyance.”

    The Sun, UK
    “Hard riffs, tight white flares, and even tighter octave-scraping harmonies…essential listening.”

    “One of the hottest videos on the internet. These kids aren’t the leather jacket-wearing greasers from the ’50s, but rather a modernized hard rock band of brothers attending the Our Lady of Perpetual Decimation high school. When the leader, Disco Mountain Man, arrives back in the halls, he’s greeted by his buddies who ask him what he’s been up to all summer. And much like Grease, it’s revealed that he met up with a girl. But this is no poodle-skirt wearing young lady. Instead, it’s an anarchy-loving blonde bombshell decked out in black and red. What follows is a re-imagined version of the song, with an ominous opening bass line and killer vocals from Mountain Man reminiscent of some of ’80s metal.”

    Village Voice
    “Everyone from Feist to Tom Jones has covered the disco hits of the Bee Gees, but perhaps no one does those gooey soft-rock numbers better than Tragedy…Shiny costumes, dramatic eye makeup and headbanging hilarity…”

    Metal Rules
    “The greatest heavy-metal-meets-disco party you could possibly wish for.”

    “Back in the dark days of disco, the Bee Gees were the shit, despite having massive teeth, bigger hair and a falsetto only dogs could hear…with the righteous power of heavy metal, We Rock Sweet Balls and Can Do No Wrong mixes Guns ‘N’ Roses swagger, the Scorpions’ sense of pomp and Judas Priest-esque vocals to create a sound that is exactly like The Darkness!”

    “Decked in their hair-metal finest, with no can of Aqua-Net spared, Tragedy frolic on the beach, woo their ladies and then unleash their thrash chops in the most anarchistic pep rally this side of “Smells Like Teen Spirit.” The result is hilarious and arguably even more heartwarming than the original, not least for the visual pun unleashed on the line ‘it’s electrifying.'”

    Guitar World
    “Tragedy: All Metal Tribute to the Bee Gees & Beyond has indeed pulled off a spot-on hair-metal spoof of the song, complete with a locker-room scene that takes place at Our Lady of Perpetual Decimation High School.”

    USA Today
    “A note-perfect hair-metal spoof of You’re the One That I Want, complete with a locker scene set at Our Lady of Perpetual Decimation High School. Only instead of pony tails and poodle skirts, the girls have teased hair and tattered Hot Topic outfits. You’ll never see Danny and Sandy the same after this metal ‘Grease’ cover.”

  • Cureheads – November tour

    The Cureheads , the longest-running and most well established tribute to The Cure, will be touring this November.

    After an amazing show in 2015, we’re pleased to announce they will be returning to Newcastle, playing at Think Tank on November 25th.

    The band plays a long set containing many classics and a few tracks for the real hardened Cure fan and are well received for both their presence, professionalism and sound.

    Tickets are on sale now – click here – to buy online or alternatively purchase from Beatdown or RPM.

  • Tour for 25th Anniversary of Love/Hate ‘Wasted in America’

    jizzy17The year was 1992—not so long ago? Actually it was 25 years ago, before kids and car payments, before growing up, it was still long hair and staying up all night listening to your favourite music and not having to pay for it the next morning.

    Then there was the rock band, Love/Hate. Out and about with Ozzy Osbourne on their No More Tears European tour. Somewhere in the middle of the mayhem an early morning knock came on the tour bus door. Always the first one up Jizzy Pearl opened the door a crack and peered out—“Congratulations…” said an Ozzy roadie– “Your new record just broke the Top 20!” That record was WASTED IN AMERICA, second in line and coming fast on the heels of their successful first record BLACKOUT IN THE RED ROOM.

    Last year, Jizzy Pearl did a UK tour in celebration of Blackout in the Red Room’s 25th anniversary and next year he will be here for the 25th anniversary of ‘Wasted in America’.

    For the first time ever the record will be played in it’s entirety, with many tracks getting a rare airing – and of course, plenty of other cuts and favourites will be also played.

    Alongside SSD Concerts, we are promoting the Newcastle show again – and – this is a proper ‘return home’ type show as with Trillians now up and running at full steam and back to glory, by request – Jizzy will be playing there.

    The date is Thursday 16th March 2017.  Tickets are on sale now at only £12 advance (likely £14 on the door) and available here (clicky) or search on www.seetickets.com

    Special guests on this tour are Bulletproof Rose.

    As always, Jizzy is happy to do a meet and greet with fans after the show for autographs, photos and all of that. Proper star 🙂

  • New Videos from Combichrist and Rabia Sorda

    The Combichrist / Filter / Rabia Sorda tour hits Newcastle this Wednesday, June 29th at the Riverside
    In the past week, both Combichrist and Rabia Sorda have released new videos.   Combi for ‘My Life, My Rules’ and Rabia for ‘King of the Wasteland’
    It’s gonna be a fun packed night on Wednesday – tickets doing fairly well and still some left – www.seetickets.com has e-tickets – Beatdown and RPM also have some physicals and of course you can pay on the door on the night (7pm doors, first band likely 7.15pm)

  • Richie Ramone returns

    Richie Ramone Dec 2016 Tour PosterAfter an amazing show back in February, Richie Ramone returns to Newcastle this December in support of new album Cellophane.

    The show takes part in Think Tank on December 6th, tickets on sale now from www.seetickets.com

    The legendary Ramones drummer will be playing a long set (90 minutes!) with a mix of solo material and Ramones classics which he wrote or played on.

    Support comes, once again, from Leeds post-punk outfit Klammer.

    Fans should expect a high energy and fun show from a true modern icon.

  • EU Referendum and the Music Industry

    Unless you’ve been under a rock for a while, you’ll be aware that next Thursday the UK will host a referendum on whether to continue to be a member of the European Union.

    Like us, you’re probably bored of some of the tit for tat, scaremongering and prophecies of doom by both sides.

    It’s one of those really difficult things as facts are unfortunately scarce, there is no real “use case” on leaving the EU and then negotiating new trade terms.
    We can point to Switzerland and Norway for pros and cons of either argument, but neither of those has been previous part of the EU.

    We are seriously concerned about the impact that this vote could have on the music industry.
    I don’t want to scaremonger, or exaggerate – there’s been too much of that in the press – but to share our concerns.
    We do use the word “could” so will try to explain the possibilities.

    The music industry has had a lot of problems in recent years. Some it hasn’t always tackled the best way (Metallica suing Napster springs to mind) and on the whole, the music industry will get through whatever happens, but, will have to adapt and change again.

    A vote to remain would do little to improve the music industry, but, a vote to leave would likely throw up a lot of extra barriers which would make it more difficult for smaller bands, niche bands, DIY labels, DIY and small promoters.

    At the moment – we have free movement with the EU. This a free movement of people, goods, trade. Impact to any of those will impact the music industry.

    While many point to Norway or Switzerland – they have the free movement of people, goods, trade as part of their agreement with the EU.

    So. Potential impacts.

    Last year, British artists accounted for over 17 percent of album sales in the six largest European markets after the UK—Germany, France, Sweden, Italy, Spain, and the Netherlands—where they enjoyed nearly a third of the share.
    Any tarrifs brought in on exports of music would cut the revenues for the labels and ultimately the artists.
    At a time when artists are seeing lower sales, often blamed on the rise of the internet.

    This would have a biggest impact on smaller or niche markets – it’s not that I don’t care about Adele, but, there is a big appetite for alternative rock, metal, Goth, Industrial and associated in Europe and it’s the smaller acts, niche labels, DIY, who are likely to feel the pinch more.

    If bands are receiving even less revenue from their records than present, many more will be unable to afford to contine.

    For companies like us, it’s obviously in our best interest that bands are making money from records as that is what keeps them afloat.

    I may, one day, document how little bands actually make from touring. Obviously Iron Maiden do alright, but I mean – well – any band asking £20 or less per ticket.

    Any restriction on movements of goods and/or people would increase the cost of touring.

    This is of course where we are most concerned.

    First off. Bands would be required to produce a Carnet.
    A Carnet is published documentation stating all of the equipment a band will be touring with.
    It costs between £1000-£2000 (depending on circumstances) and last just 12 months.
    This is 2 way for European bands coming into the UK and for UK bands going out – so – a band doing a 10 day UK tour has an extra £100-£200 per show to cover – the only way to cover this is in a fee and this will inevitably push ticket prices up. Again, top end bands, say, Nine Inch Nails, can probably absorb this fairly easily – a band doing club shows to 100 people per night asking £14 per ticket instead of £12 is going to be noticable to fans and, of course, may start to put some off.

    This would also be fairly costly and restrictive for UK bands to tour within Europe – detrimental to their development and denying them of experiences.

    This also adds in complications if gear is broken/lost on tour, or if new gear is bought to complete the tour, the band will have to pay taxes at customs upon leave/return.

    And, of course, the risk that every time you cross a border or checkpoint that someone could ask to do a full stocktake of all your gear on board.

    Older bands may remember the days of the Carnet, queuing at each border and then a risk that every piece of gear would have to be unloaded and checked against the serial numbers which is both stressful and time consuming… and if there’s any discrepancies, bands can be sent back to the previous border point – which can end up wasting half a day or so.

    This is of course before I mention every band’s most hate word…. Visas.

    I deliberately didn’t mention this first – because – well, it’s possible for a trade deal to continue to allow free movement and if bands can come and go without a Visa we don’t have much problem, but, they may of coruse still need the Carnet above.

    Any restriction to free movement “A points based system”, “Paperwork” whatever is extra work for the bands (when they should be practicing and writing new songs!) and of course the extra expense involved.

    In the past 18 months I am aware of a few visa problems.
    Our own problem was with Eric Martin who, in December 2014, was refused entry to the UK on the paperwork. We still do not know what was wrong.
    This caused financial loss to Eric, to the touring support act, to the agent, to us. This caused inconvenience to the fans who’d made arrangements for the tour, booked trains, hotels, time off work, etc.
    This is always a concern when visas are involved.
    We also have other examples, The Last Dance were detained on their way to Whitby Goth Weekend and of course Zardonic did not receive paperwork in time to take his slot at Resistanz Festival.
    Going the other way, Surgyn had to delay their part of the Aesthetic Perfection US tour as paperwork didn’t come through in time and they are one of many bands who has forked out a lot of money for Visas that were either delayed, restricted, or denied.

    In order to get a visa as a band, you often have to prove you are a real “credible” band and for niche bands this can be quite hard to build up enough evidence.

    This is before we get into things like filing taxes on tours, copyright agreements, or of course that the whole of the EU is currently open for bands to choose where to print flyers, posters, records, merchandise in order to find the most appropriate deal for them.

    The best case scenario in the event of a leave is that all free movements remains in place – and leaving just becomes a pointless tickbox exercise.

    The absolute worst case scenario
    – Bands will receive less for music they sell outside the UK.
    – The impact of this being they don’t receive the income required to stay afloat
    – It will be more expensive for European bands to tour the UK (and depending on Visa changes, could make it more expensive for all non-UK bands to tour the UK)
    – As a result, more bands will omit the UK
    – And others will see higher ticket prices
    – Which will put more strain on risk on small venues and independent promoters
    – It will become more expensive for UK bands to tour in Europe
    – Alternative genres like Rock, Metal, Goth, Industrial are likely to be affected the most

    We suspect the actual result in the event of a leave to be somewhere in the middle

    There is a lot more to the referendum than music.
    Some of you will read this and feel that it’s still a risk worth taken or believe you will be better off and thus be happier to pay more to see bands play.
    I don’t want to be argumentative.

    But – we are an independent promotions company which is not our main source of income.
    We can not afford to absorb price rises and believe higher ticket prices for small/medium bands would lower turnouts and have a knock on effect to venues and bands.
    Regardless of the vote, we will strive to continue. We would of course have to consider new negatives when considering any shows to book.
    We just want to put bands on people like, at a good price. We also want our friends in smaller bands to be able to do gig swaps with bands in the EU fairly easily, should they wish, for the fun, experience and development.
    From a company perspective, we are In.

  • Rusted Hero headline special show with Snake Plissken and Siege UK

    Last August, Rusted Hero went on a run of gigs in Germany with the fantastic Snake Plissken

    Well. Now they’re returning the favour and bringing them over to the UK.

    The bands will also be joined with great friends The Siege

    A real good night of rock n roll in the heart of Ouseburn with advance tickets just £5 >> Grab Tickets here << or over the bar in The Cluny

    Check out Rusted Hero >> https://www.youtube.com/watch?v=NArn4Hil74c
    Check out Snake Plissken >> https://www.youtube.com/watch?v=JxcL96g6Yfs

  • This Friday – Bloodstock M2TM Final

    This Friday…. June 17th… at The Cluny

    Just £5 entry

    25 bands started… we’re down to 5

    1 of which will be playing Bloodstock in August.

    But which one?

    The 5 finalists are….

    Hellion Rising
    Dirty King
    Souls of Jack Ketch
    I’ll play the Villain

    It’s undoubtedly going to be close – very close!

    The final is at The Cluny on June 17th. It is just £5 entry to see 5 amazing bands – a night of sure fire entertainment and of course being able to see which band will be representing the region at Bloodstock in August.

    The running order will be randomised closer to the time – is down to judges from Bloodstock.

    Whoever wins, this is bound to be a great night!

  • Vintage Caravan – November Newcastle show

    vintage caravanThe Vintage Caravan will be back to expand the minds of British fans this Autumn. Support comes from Swedish riffers Dead Lord.

    The bands play Think Tank on November 8th – tickets available now from www.seetickets.com

    Frontman Óskar Logi Ágústsson comments:
    “Ah The United Kingdom, we love you, we have a good thing going on, we hope you feel the same way. You are the Barry to our White, the Pink to our Floyd and the Bootsy to our Collins. We hope you remember our midnight moonlight walks and the good times we had, let’s make some more sweet memories.”

  • Rabia Sorda – The King of the Wasteland

    Rabia Sorda have released new single ‘The King of the Wasteland’ via Out of Line Music.

    The Mexican-German inferno-mob Rabia Sorda unleashes the primal force of wrath in an anthemic Electro-Punk-attack.

    A storm is coming. A new beginning needs the complete and utter annihilation of the old. Anger is an energy… and each generation needs its own kind of rebellion. Like a force of nature, Rabia-Sorda- and Hocico-front-berzerker Erk Aicrag unleashes a cleansing tornado of hatred. “King Of The Wasteland” combines hard Electro with raw Punk and Industrial to a modern anthem of insurgence. Bundled with b-side “Monster”, which effectively bonds retro-electronica with a punky attitude, plus three adequately infernal remixes, Rabia Sorda crown themselves kings of the wasteland and let expectations rise for the upcoming new album.

    Rabia Sorda play Newcastle Riverside on June 29th with Combichrist and Filter – 50% of tickets gone – get yours from www.seetickets.com here